Lisa Huang Studio

From a set of icons designed by Google's Design team, Thomas Phinney, Vassil Kateliev and I took on the production of its extension to additional styles.

A voyage through the process of designing a typeface that has no type design guidelines or reference at all.

If you wish to understand Chinese type design—why it takes so long, costs so much, and sounds so complicated—this first part is for you.

A rounded style typeface with a generous personality given by its rounded caps and terminals, soft curves and an Italic style inspired by handwritten letterforms.

A sans serif family for text size, on-screen and in print, to be used as a multi-purpose typeface for text-sized content (mostly).

Poster designed in collaboration with Lara Captan for Across Borders initiative, mixing Arabic and Chinese scripts.

If you wish to understand Chinese type design, why it takes so long, costs so much, sounds so complicated, this (second part) is for you.

A typeface family with sharp and solid serifs, strong character and yet delicate details. Designed with Latin and Chinese Hanzi scripts simultaneously to instill the same vibe for both.

A sans serif family with a bold and snazzy personality, designed with Latin and Chinese Hanzi scripts simultaneously to instill the same vibe to both.

Participation in Typojanchi 2019, showcasing various typographic plays created by designers from all four corners of the globe with the concept of objects.

TypeMedia 2018 graduation project growing up to be a complete typeface.